Ukraine’s MFA Representative Mariana Betsa Caught out in Massive Lie

Ukraine’s 40-year-old Kiev native, MFA spokesperson Mariana Betsa is known for doing pretty much what all Ukrainian officials do – come out with a stream of tweets, in English, blaming Russia for everything wrong in Ukraine.

Mariana, who completed part of her studies at Westminster University in the UK, is known for frequently tweeting out stuff like this –


And of course, the eternal Kiev favourite, the ‘plight’ of the Crimean Tatar population – based on testimonies of those few pro-Ukraine Tatar activists in Kiev, rather than the hundreds of thousands of Crimean Tatars in Crimea…

So far, so standard for a Ukrainian diplomatic, and Betsa is usually a polished operator. However, something clearly happened recently – and it’s hard for me not to think it’s connected with the release of our own film Brit in Crimea.

On February 10th, Mariana tweeted out:

REMINDER to foreigners: all visits to occupied Crimea in violation of international&Ukrainian law -illegal&illegitimate. Entail responsibity

Let’s skip over whatever ‘Entail responsibity’ means, even if it were correctly spelled. Mariana has just made a key part of that up. Visiting Crimea violates no international law at all. Only ‘Ukrainian law’, such as it is.

And more, Mariana claims that ‘all’ visits to Crimea are thus ‘illegal&illegitimate’ – a clearly different line from the official Ukrainian position that visiting Crimea is legal, if you get permission from Kiev.

Mariana’s position would make all those Kiev-sanctioned journalists, who’ve gone to Crimea to film propaganda pieces, such as the BBC ‘illegal&illegitimate’…

Have a look at the tweet thread yourself, and see how many people have let Mariana know her error, errors even.  However, rather than do the normal thing in the circumstances, when one has made such an egregious error, delete the tweet, or write a correction, Marian has actually pinned the tweet.

And such is the upside-down, inside-out world of Ukrainian diplomacy where black can be whiter than white, vice versa, and open errors get pinned not binned….

Brit in Crimea – Over 10,000 Views in Week 1 – and Rising!


Fantastic to release our film Brit in Crimea last Wednesday
, completely independent, crowdfunded, and amazing to see it pass 10,000 views in less than a week, those views coming from over 40 countries around the world, and rising fast. So, here it is, a Brit in Crimea (on his holidays) –

Brit in Crimea Premiere – More Photos!

I’ve recently written about the completion of my film Brit in Crimea, and its upcoming release (very soon), and recent premiere in Moscow. 

I’d like to give another shout-out to the amazing Daria Fedko for her organising of what was a truly fantastic premiere, and show you a few more photos from that here – 

My 3 Years of Being a Fully Crowdfunded Journalist!! How’s that Possible? How’s it Been? What Next?

In 2014 while covering Donbass, for the first part I worked with the channel RT – submitting my video material to them. In this time, I had full freedom to film, and upload whatever I saw, to you YouTube channel, which I did, and even in 2014, my priority was to develop this, my own portal. In the later months of 2014, and start of 2015, I did some work for the Russian channel Zvezda, but ended this associated at the start of 2015. And since then? Well, since February 2015, I’ve been a completely crowdfunded correspondent. 

In 2015, I decided to give crowdfunding – still a relatively new concept then – a go while considering all options (earlier, crowdfunding just hadn’t seemed viable). So it was, I worked on in 2015 using a combination of my savings, and some crowdfunding. And I made a few realisations. That crowdfunding is not that easy – everyone has bills to pay, etc, and it’s hard to get people to make their own financial commitment to journalism, when journalism is everywhere, and free. Yet I also realised – it’s do-able. If I live modestly, keep costs down, it’s do-able.

And more, having worked for channels before, and the inevitable constraints that brings, then experiencing the freedom of being completely independent which crowdfunding brings, it became not ‘a’ way to continue my work, but the only way. No one tells you what to do, say, or where to go, all the decisions are your own. Complete freedom, independence. So it was, at the start of 2016, I released this video declaring my future as a fully crowdfunded correspondent – 

Now of course, with this freedom, and possibility, come responsibilities, and challenges. Anyone who makes a donation to my work expects me to fulfil my side of the commitment – to make interesting, original, unique reportage which reach a wide audience, make a difference, make their contribution count. So, I have to always think about how to do this, where to go, and what to film for challenging reportage which couldn’t, or wouldn’t be done by anyone else.

That means monitoring comments, viewing figures on my YouTube channel, and more. Making sure there is always fresh content, from at times unexpected places, but always actual, relevant. I don’t always get it right, at times in these three years I’ve missed the mark. But, I’ve learned from these times, and when it’s hit home, it’s hit home – my reportage from Crimea, in English, undisputed number 1 on YouTube in 2017, for example.

3 years on, almost 3000 videos on my YouTube channel, over 60 million views, references in media all over the world. Reportage on everything from Brexit to immigration in Germany (that, over 1 million hits). the jungle in Calais, places as diverse as Daugavpils in LatviaBelval in Luxembourg. Of course, Donbass, Crimea, and mainland Russia. And more – recently, South Ossetia – 

Special reportage, films, more, for 3 years, all completely independent. Not supported by any company, organisation, or corporation. Supported by people like you, reading this, who want to keep independent journalism alive. From my side? Well, crowdfunding does not bring riches, have a look for yourself, and that’s the point, it’s not about money at all. It’s about truthful journalism, reportage of things as they are, showing things as they are, exposing propaganda for what it is.

And it’s not about being on the mainstream channels either – they’d never have it. It’s about putting truthful reports out there in the public domain easily findable, so anyone who wants to find them, can!

And thanks to you, in the 3 years, I’ve raised enough to finance my work.  The 3 years have brought success, world-watched, world changing reportage. But the best is still to come – better reportage, better films, bigger projects. And all thanks to those people who want to make their own contribution, of whatever size, to helping truth win, in the world of information war we live in.

To support my work, simply click here.